Forgeries, Fakes and Counterfeits in Print Culture : Texts, Editions, Copies

30 avril 2024 | celine.guilleux@openedition.org (Céline Guilleux)
The printed book, for centuries the most powerful medium for the circulation of ideas, is particularly central to this discourse, and it is no surprise that readers of all times as well as specialists are constantly challenged by the wealth of literary forgeries, fake imprints, fake authors, (...)
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